YAERIN PARK

Contemporary Art Historian, Critic, Curator, Writer
Based in Seoul, South Korea

ABOUT

Yaerin Park (she/her) is a contemporary art historian, critic, and curator based in Seoul, South Korea. She holds a BA in Art Studies from Hongik University and is currently completing her MA in Art History and Museology at Ewha Womans University. Park’s academic research investigates the intersections of media, technology, gender, and identity politics in post-1945 art, with a focus on the shifting boundaries of language, visibility, and representation.

Through her research, writing, and curatorial practice, Park seeks to critically address how art and visual culture negotiate the dynamics of power, mediation, and meaning in contemporary society.

Her academic pursuits have shaped her curatorial approach, leading to critically engaged projects such as “A Smooth World and Its Troubles” (2024, Tri-bowl, Incheon), “Burnt into Memories, Seeping into Your Eyes” (2024, Amado Art Space, Seoul), and “rete” (2023, Art Space Seogyo, Seoul). Park has also contributed as catalogue editor for the 15th Gwangju Biennale, reflecting her commitment to research-led and discursive forms of curatorial practice.

Her experience further extends to collaborative initiatives as the founding editor of epoché rete, an art criticism collective foregrounding dialogic modes of inquiry. Park’s achievements have been recognized with fellowships and grants, including the ARKO Critic LAB (Arts Council Korea), research fellowships from the Asia Culture Center, and grants from the Seoul Foundation for Arts and Culture.



yaerinpark.baguette@gmail.com

Instagram
CV


Full CV available upon request.

Education


Ewha Womans University
MA Candidate, Art History & Museology


Hongik University
BA, Art Studies


Employment


Gwangju Biennale Foundation, Exhibition Team
Main Exhibition Catalogue Editor
Exhibition Coordinator / Assistant Manager
2024


Suwon Museum of Art, Curatorial TeamCuratorial Assistant / Exhibition Coordinator
2020, 2021


Selected Writing


“A Footnote on Gippeume Gwak’s Media-Archaeological Practice,” Catalogue Essay for Gippeume Gwak’s Solo Exhibition, Footnote on Footnote, Gallery 808, Seongnam Arts Center, 2025.


“When Spam Becomes Critique: On Unreadable Words and the Site Where Critique Persists.” Contributed Essay for Dental Critic, Wreath and Towel, 2025.


“Laughing Back: Elena Tejada-Herrera,” epoché rete, March 3, 2025.


“At the Intersection of Gender Politics and Media Experiment: Mako Idemitsu’s Video Works from the 1970s–1980s,” in ACC Archive Research Group Research Collection, Asia Culture Center, 2024.


“Awaken the Maternal Spirit Within All Humans: Tabita Rezaire,” Kimdaljin Art Research Institute (Seoul Art Guide), December 26, 2024.


“Amol K Patil: Who Is Invited to the City?,” Kimdaljin Art Research Institute (Seoul Art Guide), November 25, 2024.


“Gaëlle Choisne: Love That Holds You (and Me) Softly,” Kimdaljin Art Research Institute (Seoul Art Guide), November 6, 2024.


“Remembering Is Our Future Tense!,” epoché rete, October 19, 2024.


“The 15th Gwangju Biennale: The Artist as Planetary Ethnographer?,” THISCOMESFROM, September 23, 2024.


“Anywhere and Anytime Out of the World: On the Layered Space-Time in No Ghost Just a Shell,” THISCOMESFROM, September 13, 2024. 


“Topological Assemblages of Afro-Asia,” epoché rete, June 29, 2024.


“The Stone You Eat Is Mild, Crumbly, and Lightly Brown,” epoché rete, October 21, 2023.


“Suppose a “Normal” Future,” epoché rete, August 20, 2023.


“Posthuman-scape: What Makes Us Trans-form through Technology?” in *c-lab 7.0 Research Collection MEDIA-BODY, Coreana Museum of Art, 2023.


Full List

Presentation


“Attack on Titan: What Do Humans Amidst the Cycles of Freedom, Violence, and Memory?,” Invited Talk, Sohyeonmun, Suwon, 2025


“At the Intersection of Gender Politics and Media Experiment: Mako Idemitsu’s Video Works from the 1970s–1980s,” ACC Archive Research Group Public Seminar, Asia Culture Center, Gwangju, 2024

Curatorial Projects


Dental Critic, Wreath and Towel, Seoul
Artist / Contributor (Participated as époche rete)

Supported by Wreath and Towel (Seoul Foundation for Arts and Culture)
2025


A Smooth World and Its Troubles
Tri-bowl, Incheon 
Curator (Co-curated with Eunchong Choi)

Supported by Incheon Foundation for Arts and Culture
2024


PANSORI: A Soundscape of the 21st Century,
The 15th Gwangju Biennale, Gwangju
Main Exhibition Catalogue Editor, Exhibition Coordinator / Assistant Manager
2024


Burnt into Memories, Seeping into Your Eyes,
The 11th Amado Annualnale, Amado Art Space, Seoul
Selected Curator (Selected with the artist Gippume Gwak)

Supported by Amado Art Space
2024


"Project Mirage: On the Language of Deviant Queer (Visual) Art Spaces," 
Space Mirage, Seoul
Research participant

Supported by Seoul Foundation for Arts and Culture, Artistic Research Grant
2023


rete, Art Space Seogyo, Seoul
Curator and Critic (Participated as Une critique de dés jamais n'abolira le hasard)

Supported by Seoul Foundation for Arts and Culture, Co-growth Art Experiment Support 'LINK'
2023


Intermissions Will Run for 37.5 Years, Space Mirage, Seoul
Curator
2023


Before the Wind, Suwon Museum of Art, Suwon (Co-organized by the National Museum of Modern and Contemporary Art, Korea)
Curatorial Assistant / Exhibition Coordinator
2021


Born, A Woman, Suwon Museum of Art, SuwonCuratorial Assistant / Exhibition Coordinator
2020


Fellowships, Grants, Honors & Awards


Arts Council Korea
ARKO Critic LAB Fellowship, Selected Critic
3,500,000 KRW
2025


Seoul Foundation for Arts and Culture, Seoul
RC (Review Critic) Project Fellowship, 
Selected Critic
Grant Amount TBD
2025


Asia Culture Center, Gwangju
ACC Archive Research Group Fellowship,
Selected Researcher (Participated as Dysmorphia)
2024


Incheon Foundation for Arts and Culture, Incheon
Tribowl Choice
Selected Exhibition
5,000,000 KRW
2024


Amado Art Space, Seoul
The 11th Amado Annualnale Grant,
Selected Curator
2,000,000 KRW
2024


Coreana Museum of Art, Seoul
*c-lab 7.0 Fellowship,
Research fellow (Lab-mate)
2023


Seoul Foundation for Arts and Culture, Seoul
Co-growth Art Experiment Support 'LINK' Grant, Art Space Seogyo 
1,600,000 KRW
2023


Kyujanggak International Center for Korean Studies, Seoul National University
The 17th Kyujanggak Korean Studies Summer Workshop Grant
2023


The 2nd Art Data Changes the World Challenge Contest Excellence Prize
Commendation of the President of the Korean Culture & Arts Centers Association (KoCACA)
1,000,000 KRW
2021


The 8th Cultural Data Utilization Contest
Grand Prize, Ideas Category
Commendation of the Minister of Culture, Sports and Tourism, Republic of Korea
3,000,000 KRW
2020


Scholarship


Professor Oh Jin-Kyeong Endowed ScholarshipDepartment of History of Art, 
Ewha Womans University
2,000,000 KRW
Fall 2022


Teaching Assistant Scholarship“Women and Art” (Prof. Eunju Kang)
Ewha Womans University
2,000,000 KRW
Fall 2022


Administrative Assistant ScholarshipCenter for Future Innovation, 
Ewha Womans University
12,000,000 KRW
Fall 2021 – Spring 2022, Spring 2023


Hongik ScholarshipHongik University
11,834,500 KRW
2015–2018


Language Proficiency


Korean(Native), English(Fluent), Japanese(Intermediate), French(Beginner)



Last Updated on Oct 9, 2025




TEXTCURATORIAL PROJECT



Research and Scholarly Writings


「젠더 정치와 매체 실험의 교차점에서의 초기 비디오 아트: 이데미츠 마코의 1970-1980년대 비디오 작품을 중심으로」, 『2024 ACC 아카이브 연구모임 연구자료집』, 국립아시아문화전당, 2024.
“At the Intersection of Gender Politics and Media Experiment: Mako Idemitsu’s Video Works from the 1970s–1980s,” in ACC Archive Research Group Research Collection, Asia Culture Center, 2024.


「포스트휴머니즘-스케이프: 우리는 기술의 무엇 때문에 변화(trans-)하는가?,」 『*c-lab 7.0 연구 결과자료집』, 코리아나미술관, 2023.
“Posthuman-scape: What Makes Us Trans-form through Technology?” in *c-lab 7.0 Research Collection MEDIA-BODY, Coreana Museum of Art, 2023.


Reviews and Articles


「인간 누구에게나 있는 어머니의 마음을 일깨우세요: 타비타 르제르」, 『김달진미술연구소(서울아트가이드)』, 2024.12.26.
“Awaken the Maternal Spirit Within All Humans: Tabita Rezaire,” Kimdaljin Art Research Institute (Seoul Art Guide), December 26, 2024.


「아몰 K 파틸: 그 도시에 초대 받은 이 누구인가?」, 『김달진미술연구소(서울아트가이드)』, 2024.11.25.
“Amol K Patil: Who Is Invited to the City?,” Kimdaljin Art Research Institute (Seoul Art Guide), November 25, 2024.


「가엘 쇼안느: 부드럽게 나(너)를 안아주는 사랑」, 『김달진미술연구소(서울아트가이드)』, 2024.11.6.
“Gaëlle Choisne: Love That Holds You (and Me) Softly,” Kimdaljin Art Research Institute (Seoul Art Guide), November 6, 2024.


「잠시 머무는 감각들, 《더 프리뷰 서울》 2025」, 『THISCOMESFROM』, 2025.6.9.
“Sensations Ephemeral ⏤ The Preview Seoul 2025,” THISCOMESFROM, June 9, 2025.


「제15회 광주비엔날레: 전지구적 인류학자로서의 예술가?」, 『THISCOMESFROM』, 2024.9.23.
“The 15th Gwangju Biennale: The Artist as Planetary Ethnographer?,” THISCOMESFROM, September 23, 2024.


「세상 밖 어디든, 언제든: 《영혼은 없고 껍데기만》의 중첩된 시공간들에 대하여」, 『THISCOMESFROM』, 2024.9.13.
“Anywhere and Anytime Out of the World: On the Layered Space-Time in No Ghost Just a Shell,” THISCOMESFROM, September 13, 2024. 


「웃어(도) 넘기지 않기: 엘레나 테자다-헤레라」, 『에포케 레테』, 2025.3.3.
“Laughing Back: Elena Tejada-Herrera,” epoché rete, March 3, 2025.


「기억하기는 우리의 미래시제다!」, 『에포케 레테』, 2024.10.19.
“Remembering Is Our Future Tense!,” epoché rete, October 19, 2024.


「아프로-아시아의 위상학적 아상블라주」, 『에포케 레테』, 2024.6.29.
“Topological Assemblages of Afro-Asia,” epoché rete, June 29, 2024.


「울리세스 카리온: 매체로서의 책」, 『에포케 레테』, 2024.3.2.
“Ulises Carrión: The Book as Medium,” epoché rete, March 2, 2024.


「당신이 먹는 그 돌은 담백하고, 포슬포슬하고, 약간의 갈색을 띤다」, 『에포케 레테』, 2023.10.21.
“The Stone You Eat Is Mild, Crumbly, and Lightly Brown,” epoché rete, October 21, 2023.


「어떤 평범한 미래를 가정한다면」, 2023.8.20.
“Suppose a “Normal” Future,” epoché rete, August 20, 2023.


「차갑고 서늘한 비극의 윤리: 〈어둠 속의 댄서〉의 하마르티아」, 『에포케 레테』, 2023.4.29.
“The Ethics of a Cold Tragedy The Hamartia in Dancer in the Dark,” epoché rete, April 29, 2023.


「인식론으로서의 몽타주, 뒤틀린 영원에 잔존하는 예술, 그리고 당신과 나」, 『에포케 레테』, 2023.3.17.
“Montage as Epistemology, Art That Persists in Twisted Eternity, and You and Me,” epoché rete, March 17, 2023.


후니다 킴 퍼포먼스 〈파인-튜닝되는 신체 감각〉 리뷰, *c-lab 7.0, 코리아나미술관, 2023.
Review of Hoonida Kim’s Performance, Fine-tuning Human Senses, *c-lab 7.0, Coreana Museum of Art, 2023.


리딩투게더 “글쓰기의 매체-신체” 강의 리뷰, *c-lab 7.0, 코리아나미술관, 2023.
Review of the Lecture “Media-Body of Writing” from the *c-lab 7.0 Program, Coreana Museum of Art, 2023.


Critical Writings and Catalogue Essays


「구체적 사랑」, 이안진 개인전 《구체적 사랑》 전시 서문, 그블루갤러리, 2025.
“Spherical Love,” Exhibition Text for Jin Leean’s Solo Exhibition, Spherical Love, Gblue Gallery, 2025.


「곽기쁨의 미디어 고고학적 작업에 대한 각주」, 곽기쁨 개인전 《각주의 각주》 전시 비평, 성남아트센터, 갤러리808, 2025.
“A Footnote on Gippeume Gwak’s Media-Archaeological Practice,” Catalogue Essay for Gippeume Gwak’s Solo Exhibition, Footnote on Footnote, Gallery 808, Seongnam Arts Center, 2025.


「비물질적 몸들과 무정형의 회화들: 구지언의 새로 감각한 세계에 관하여」, 구지언 작가론, 인가희갤러리, 2025.
“Immaterial Bodies and Amorphous Paintings: On Jiun Koo’s World Sensed Anew,” Critical Essay for Jiun Koo, Ingahee Gallery, 2025.


「감정은 바람의 얼굴을 하고: 문채은의 회화에 스며든 슬픔과 바람의 알레고리」, 문채은 개인전 《바람의 바람》 전시 비평, 갤러리두인, 2025.
“The Face of Wind: On Allegories of Sadness and Breeze in Mun Chaeeun’s Painting,” Critical Essay for Mun Chaeeun’s Solo Exhibition, The Wishes of Wind, Gallery Doin, 2025.


「정재열: 당신에게 닿고 싶어요. 투명한 기억의 표면들이 쌓이고 흩어지는 이 세계에서」, 정재열 작가론, OAOA갤러리, 2024.
“Jung Jaeyeol: I Long to Reach You, Among the Transparent Surfaces of Memories that Rise and Drift Away,” Critical Essay for Jung Jaeyeol, OAOA Gallery, 2024.


「이지은의 변혁적 판타지: 슬프게 반짝이는 밤과 아름답게 창백한 낮에도」, 이지은 작가론, 이화여자대학교 서양화과 오픈스튜디오, 2023.
"Jieun Lee’s Upheaving Fantasy: Across the Sadly Glittering Nights and the Beautifully Pale Days," Critical Essay on Jieun Lee, Department of Painting Open Studio, Ewha Womans University, 2023.


Curatorial and Conceptual Texts


「스팸은 때때로 비평이 된다: 읽히지 않을 문장들과 비평적 실천의 자리」, 《덴탈 크리틱》 전시 출품 에세이, 수건과 화환, 2025.
“When Spam Becomes Critique: On Unreadable Words and the Site Where Critique Persists.” Contributed Essay for Dental Critic, Wreath and Towel, 2025.


《매끄러운 세계와 골칫거리들》 전시 서문 (최은총과 공동 작성), 트라이보울, 2024.
Curatorial Statement on A Smooth World and Its Troubles (Co-written with Eunchong Choi), Tri-bowl, 2024.


《당신의 눈동자에 눌어붙어 스며든다》 전시 서문, 제11회 아마도 애뉴얼날레, 아마도예술공간, 2024.
Curatorial Statement on Burnt into Memories, Seeping into Your Eyes, Selected Exhibition for The 11th Amado Annualnale, Amado Art Space, 2024.



ⓒ Yaerin Park
Last Updated on Oct 9, 2025